Known for her intricate and distinct artistic language, Asawa produced numerous sculptures, drawings, and prints that are built on simple, repeated gestures that accumulate into complex compositions. Her works on paper and “continuous” looped-wire sculptures suggest a field of fluctuating positive and negative forms, a means of reshaping how we perceive the world. Personal motifs reappear throughout in the most comprehensive look at the artist’s oeuvre to date––ceramic casts of faces of her family, friends, and neighbors; the carved front door Asawa and her family made for their home; and drawings of her children, grandchildren, and husband sleeping––all providing an expansive look into the artist’s life. A document of the breathtaking and surprising exhibition Ruth Asawa: All Is Possible, organized by Helen Molesworth, this book records and expands upon the show, offering new insight from writers and curators with a selection of sixty-four works from Asawa’s spectacular oeuvre. With an essay by Molesworth, this book also features focused texts from Makeda Best, Taylor Davis, Ruth Erickson, Briony Fer, Jennifer L. Roberts, and John Yau.
192 pages
Cover: Untitled (WC.134, Self-Portrait), c. 1960s
Publication © 2022 David Zwirner
- Curated by Helen Molesworth
- Editor: Elizabeth Gordon
- Editorial Coordinator: Jessica Palinski
- Proofreader: Chris Peterson
Printed in Italy
This item is non-returnable.
Fit Comments: Approximate measurements: 10.75"H x 8.5"W x 1”D.
This item is final sale and is non-returnable.
